Відео

Yes, you have to go back and forth to see where the brush stroke is going. Also, just at the edge, you can see how the reality checks with the brushstrokes you already laid on the canvas. It is a long game of comparison between your canvas and the model, which is why I find it very strenuous on the eyes…

Thank you for following my videos, Édouard ! As you know, I am not a teacher, just an enthusiast sharing his experiences ! 😋

Haha, good things come to those who wait… 😋 thank you for being here!

Haha! Thanks a lot for making my wife jealous! 😋

@@mygeekfamilycotton noooo. No intention there . Love to your wife! 🥰

Just joking 😂😋

It is a very interesting technique, but I honestly don’t think it is for me. It allows you to create very accurate works, but you lose the « fun of the chase » in trying to make your picture emerge from a blob of paint… 😋

Thanks a lot for watching. And yes! Bacon is on my to-do list! 😋 thanks!

¡Hola! Sí, sólo uso pintura a base de agua (acrílica aquí y acuarela/gouache en algunos otros trabajos) porque es más fácil cuando pinto en mi pequeño apartamento. ¡Gracias por ver mis videos!

@@mygeekfamilycotton empiezo mis trabajos con acrílico y Luego completo con óleo incluso he hecho veladuras y queda bien

@@gurisa1 ¡Sí! ¡Es la forma correcta! Los acrílicos se secan muy rápido y a veces es difícil realizar una veladura adecuada. ¡sigue así!

Grazie mille, Giovanni!

Please do! Thanks for watching! ❤️

Thank you very much! I really appreciate that! And you are right: I will try to show them longer (or more detailed view) in the future. Thanks for the feedback!

Édouard! Excellent idea! Thanks for always watching!

Thanks a lot for watching!

Thank you, my fellow Cotton! 😋

Hey Jake! Thanks. I did Lichtenstein previously (you’ll find it on my channel) and Nathaniel Mary Quinn would be interesting… thanks for the suggestion!

Thanks Logan!

Thanks for the suggestion! I will see what I can do!

Hi Sharon! Pissarro could be nice, I’ll study him and maybe a future video? And yes, I also paint in watercolor, some videos on the channel feature that technique! Cheers!

Thanks Cathy! ❤️

Thanks for the suggestion! I wanted to do more landscapes in the near future, so that’s perfect! And I love Kandinsky, so! 😋

@@mygeekfamilycotton Thank you, I can hardly wait!

It is on my list! A bit of patience! Thanks! 😋

Thank you for watching!

😂 to be honest, I have no idea where it came from. I have a lot of friends in the Midwest and they don’t talk like that at all. But in all fairness, I have the same reaction as you for Poirot’s fake French/Belgian accent 😋

😂 yes!

Hi Arturo! It is “Serenite “ by Henri Martin www.musee-orsay.fr/en/artworks/serenite-9269

Hi Lolita! Not sponsored in any way, but I am currently using PEBEO 😋, and yes: I am preparing more landscapes 😄!!!

@@mygeekfamilycotton I have spent hours trying to purchase individual colors of Pebeo - I see they have the PR188 Vermillion Red....can't find out how to purchase here in the states. I will try to contact them direct next week. Thanks, Lolita

@lolitakaloustianyoung7787 I know they are distributed in USA, but not sure how widely… I guess you could substitute for a cadmium red, that maybe more readily available?

@@mygeekfamilycotton Thank you, I will use Cad Red and continue to research availability.

Thank you so much! ☺️

Yes, sorry about it. I wanted to try something to make the background more lively and it didn’t work… I don’t do it anymore.😂

Haha! 😋 love your enthusiasm! I will need to study a bit…

Thank you!

Thanks for watching!

Thanks a lot!

Hey Jayson! Thanks for watching. Inness would be nice, yeah. I haven’t done a landscape in a while. I’ll keep it in mind! Cheers

Thank you for being here, Édouard! And, yes, Maxfield Parrish could be interesting… let me see. For next month, it looks like I am going back to the Dutch classics… 😋

Thanks for watching! I Hope it’s not the last time! 😂😂😂

Hi Stephanie, I actually used my regular palette: Yellow Ochre, Vermillion, Cerulean Blue (for Rembrandt, I used it mostly to mix as a way to darken warm colors), Burnt umber, white and a little bit of black. Hope this helps!

Thanks for watching!

I do use a very limited palette : Black(sparingly, as I usually prefer brown+blue) and white, yellow ochre, Vermillion, Cerulean Blue and Burnt umber. a bit like a variation of the Zorn Palette. I sometimes complement this with other colors when I need a more complex and particular hue : purple, vert-de-gris, lime green... that type of things... having said that, I find that, for "classical" portraits and landscapes, the limited palette is already fantastic, although a more "modern" style would call for maybe more popping colors (Maybe you can replace the ochre by a yellow?) Hope that helps?

@@mygeekfamilycotton I look forward to trying your limited palette. Have you a preferred medium - i.e. oil, acrylic? Thank you again.

@@lolitakaloustianyoung7787 hey Lolita! I usually use acrylics. Cheers

Thanks a lot!

Thanks a lot for watching, Lolita! I try to keep it simple and share my experience, so much of these techniques, used by the masters, can help our own styles! Cheers and see you around!

Thanks Patty! Yes, I do some watercolor (you should be able to find some in the playlist) but never did it in Sargent’s style… maybe soon? 😋

De rien! Merci d’avoir regardé!

Thanks! Yes, he was very daring for the skin tones: green, orange, blue! ❤️ thanks for watching!